Showing posts with label peat. Show all posts
Showing posts with label peat. Show all posts

Wednesday, 29 February 2012

Leap Year - Enter The Kracken

So today is a fairly uncommon day. It's not every year that in Gregorian calender tradition we add an extra day to the year, thanks to Mr Julius 'I came, I saw, I conquered' Caesar. Every 29th February unmarried men the world over bury their heads in the ground for fear of the marriage-starved gaze of their girlfriends, who for one day every four years become a dazed engagement-proposing zombie. On this day a small quantity of the population also celebrate their birthdays, enjoying extended youth through the division by four.

Noah inspecting his new home
With all this rarity knocking around I have also indulged in a rare extravagance. I, with Mrs Peatreek, have purchased a hamster. This idea was formulated by my pet starved girlfriend adopting the wide-eyed pleading, as seen by the wedding-gown starved girls mentioned above, for something small and cute. As much as I'd love a dog I can't afford one and I have refused to accept any other pet. However, finally, I cracked and in a wave of excited mania Ellen purchased everything under the sun you would need to own a hamster... including a name. So all that was left was to choose a hamster to fill a cage... and a name. For all my reluctance it took barely a minute. After a couple of hamsters whored themselves before the glass screen it was a little man with an inquisitive face that caught my eye. This was Noah, the hamster, the hero, the legend. With that we packed him off back to the flat where he is currently indulging in a running wheel and some carrot.

So to conclude this rare blog, I'm going to finish with a rare review. I don't review spiced rum as a matter of principle. I like to taste spirits and wine that are untainted by additives, including spices. However, this spiced rum has caught my eye for a while and with its excellent branding luring me in, I couldn't resist. Packaged in a Victorian-style flagon I give you the Kracken!

Kracken
40% - Black Spiced Rum - Caribbean Origin
Nose: Obviously spicy; cinnamon, clove, nutmeg. Followed with muscavado sugar and heaps of vanilla. There is also a Pepsi element for the Sailor Jerry fans.
Palate: Burnt caramel, vanilla intermingle with cloves and ginger in an exceptionally soft palate.
Finish: Vanilla, cinnamon and lime. Very tropical and very Caribbean.
Overall: A good spiced rum. The flavours I enjoyed, but the caramel/vanilla element lingered longer than was pleasantly required. I would have liked some Kracken-eske edge personally, hint hint more alcohol less E150a.

Sunday, 5 February 2012

Banish the January Blues with Auchentoshan 1975

Well January was a blow to motivation. As clouds rolled over London, as Christmas cheer turned into New Year gloom, and as the economy shrunk like wool in a hot wash; it has been immensely difficult to summon the boundless enthusiasm for the delights of whisky. For the last month I have been indulging in wine (principally chardonnay), beer and cocktails. All the whisky I have been drinking has been standard release, supermarket, pub fare that is less likely to excite the whisky enthusiast. Then finally there was a whisky to shake me out of this dire hole - this vacuum of barrel aged malt barley aged spirit. This whisky was the almighty 1975 Auchentoshan. A 35 year old dream of a dram that makes you sit bolt upright and shout, "Now this is whisky!" As you may know I don't stand by the 'older is better' motto, but by God! Ladies and Gentleman I give you...

Auchentoshan 1975
46.9% - 35 Years Old - Distillery Bottled
Nose: Green melon and lemon flavoured boiled sweets, next there is tumeric and mango chutney. Sesame seeds, tree sap and vanilla complete this full-nose.
Palate: Spicy, namely lime pickle. There is green tea and herbal oak notes as well.
Finish: A burst of lemon followed with walnut and mango, later a woody presence announces itself.
Overall: An incredible whisky boasting curry spice notes and a lengthy finish. As much as I reject aged whisky it's always great to taste a whisky as complex and intriguing as this impressive Lowland.

Wednesday, 25 January 2012

Rediscovering The Classics: Lagavulin 16 Year Old

Tonight's review is of another classic; the stoic Lagavulin 16 year old. I have to confess I am no expert on Lagavulin. Aside from it being peated and coming from the south of Islay - I know very little about this Diageo owned distillery. Furthermore I've always avoided trying them. Trapped between its showy brothers at Laphroaig and Ardbeg, it always seemed like the clichéd middle child offering nothing more than a sturdy uninspiring malt. As usual I am very very wrong. Lagavulin offers balance, restraint and a refined spirit. Qualities often drowned out by large peaty gestures at Laphroaig and Ardbeg. The Lagavulin 12 year old may be a balls-out offering, and the Distiller's Edition may be a tad confused, but the 16 year old brings complexity to the table. So with apologies to Lagavulin for my previous ignorance, I give you the 16 year old...

Lagavulin 16 Year Old
43% - Distillery Bottling
Nose: Peat and barbecue smoke with a gristy accompaniment. Then there is kiwi fruit with something orangey beneath.
Palate: Big peat with a thick texture yet refined and larconic.
Finish: The peat has died away to embers and with time baked green apple emerges.
Overall: Absolute classic, excellent structure and balance. The Lagavulin 16 year old isn't about slapping you in the face with a peat shovel it is about restraint and pace, and it is a very hard drink to put down. Slainte!

Sunday, 8 January 2012

Rediscovering The Classics: Laphroaig 10 Year Old

Gin cocktails at Evil Eye
Tonight's review is of an absolute classic. This whisky is self-defining, iconic and unique. What I like most about this whisky is that it gives me a feeling that can only be given by a few things. I get the feeling every time I travel to York. I love York; it has the perfect combination of historic architecture, excellent pubs and nostalgic value. It is like the feeling of coming home when I get Bangers and Mash at the Lendal Cellars or a pint of Yorkshire Terrier at the... er... Yorkshire Terrier. A trip to Jorvic and the Cathedral before a cocktail at Evil Eye Lounge and a browse of the beer selection at The Bottle on Stonegate makes for a very happy Angus.

I get the same feeling everytime I climb the Berwin hills behind Llanrhaeadr Waterfall back home. The spray off the falls and the rugged terrain are reminiscent of a time before man etched his face on the Earth. Like York there is a feeling that everywhere should be like this and everything will be alright. It is a feeling that in unclouded by worry or unnecessary detail, a feeling about enjoying the moment.

Llanrhaeadr
Tonight's whisky is the unapologetic Laphroaig 10 Year Old. Every time I drink this whisky I am filled with a feeling of calm. Laphroaig isn't a whisky trying hard to impress, it is a whisky that forces the drinker to come to it on its own terms. Its Marmite attitude can make it unapproachable for some drinkers but as soon as you come to terms with its balls-out confidence it becomes the most rewarding of all whiskies. I think it is unarguable to say that Laphroaig is a whisky hero. When I drink it I don't worry about how it is made. I don't care about cask selection or the slightly troubling small print 'mit Farbstoff' (with colouring). I couldn't give a damn about ABV or PPM, when I drink the Laphroaig 10 it is about coming home to what whisky is really about - the greatest drink on the planet. So without any further ado here's my tasting note to add to the legions of others shouting its praise. Slainte!

Laphroaig 10 Year Old
40% - Distillery Bottled
Nose: An island harbour protected behind the stormwall; the sea laps at a peaty shoreline. Amongst this intense maritime character there is a sweet citric character that plays with the earthy peat.
Palate: Peat bog followed with peat smoke. There is a marshmallow sweetness and a nutty undercurrent that provides flavour beyond simple peat notes.
Finish: Almost beer like with hops and gentle smoke. Lastly there is a fire that remains in the belly seething like Smurg on his treasure.
Overall: Such a characterful nose followed by a playful palate. The finish has the fire all good whiskies have burning underneath. The Laphroaig 10 is a masterclass in character development. Time for a second glass!

Monday, 19 December 2011

My Lucky Day... Glenlivet 40 Year Old

There are some days at work that certainly pay off. Especially if you are offered a dram of forty year old whisky to brighten your day. Today I was as lucky when Joel and Neil from that there Cask-Strength blog rocked up with a bottle of forty year old single cask Glenlivet. I have always maintained a scepticism about old age whisky that although it can be excellent it does propagate the myth that whisky is exclusive to the privileged, when bottles such as the Longrow C.V. and Aberlour A'Bunadh scream otherwise. Politics aside, some forty plus whiskies are rather damn good, and the whisky I was being offered was thoroughly top notch. Cheers guys!

Glenlivet 40 Year Old Atlantic
41.6% - 40 Years Old - Distillery Bottled 16/09/2005 - Sherry Cask
Nose: Ginger provides a warm welcome coupled with tropical fruits notably pineapple and dried mango. With time a herbacious nature reveals itself with rosemary, mint, anise and a drop of pine resin.
Palate: A fantastical burst of spice; cardamon, ginger, cloves and vanilla mingling like spice merchants on the taste buds.
Finish: Menthol, oak, cream and spiced cake dough entwine in an excellently long finish.
Overall: So incredibly fresh. Unlike any forty year old I've tried before yet with a complexity that hammers home its venerable age. This is a masterclass in old age whisky.

Thursday, 8 December 2011

Growing Up... Kilchoman 100% Islay

I came to a strange realisation recently that I had crossed 'the line'. I was entering the grey and dangerous world of adulthood, I was growing up. Computer games hold little charm, I find certain comedy routines to be tired and unoriginal, and I struggle to see the point of Quentin Tarantino. Then I thought about it, was I becoming more and more immature? I can't deny that I enjoy animated kids films, the Incredibles and Toy Story are undeniably movie greats, and I did spontaneously buy a Lego set when walking around Canary Wharf the other day. Then it dawned on me, growing up isn't about rejecting the spontaneity and vibrancy of youth and it isn't about becoming entrenched, reactionary and right-wing. It is the selection of the best of both worlds through the well polished lens of experience (i.e. Lego is fun, Tarantino is overrated). We make decisions based on our experiences to maximise our overall pleasure (apologies for the Utilitarianism), ergo growing up should be about maximising pleasure... probably.

When thinking about growing up. It dawned on me that I used to almost exclusively drink heavily peated whiskies but more and more I shy away from them. Although I still enjoy peaty beasts I rarely seek them out. Today I tried a peated whisky that was so satisfyingly peaty that it brought me back to those early years drinking Islay whiskies as if they were an antidote to the Lowland and Speyside whiskies I was trying to get my head round. The whisky was the latest release from the guys at Kilchoman, the 100% Islay bottling. The concept being that the whisky is entirely produced on the Island from the barley to the bottling, and it demonstrates excellent interaction with the peat. This is a whisky that, like me, is growing up.

Kilchoman 100% Islay
50% - No Age Statement
Nose: Mounds of hay smoke, soft and warming with gentle iodine notes. Underneath there is the suggestion of mascerated red fruit and a hint of citrus.
Palate: Warm smoky charcoal, a grassy quality I associate with Kilchoman and a meaty mouth-coatingly oily texture.
Finish: Slow but builds into a campfire in your stomach with autumnal fruits following.
Overall: Exceptional balance, there is plenty of Islay peat here. It is a central flavour but it doesn't exceed its limits at any point. Another example of how great this distillery is and how brilliant it will continue to be.

Saturday, 26 November 2011

Change Is In The Air: The Last Vatted Malt

Drink fuelled fun with friends at Uni...
one of the hardest things to let go of!
All good things come to an end, or so they say. Maybe it's because if we have too much of a good thing it loses its edge and fades into the dismal grey background of the dreaded norm. Or maybe they seem better in the utopia of nostalgia. Either way, what has gone before, or that which is no more, has a habit of seeming greater in hindsight than maybe it was in reality. I am a big advocate of change. If it ain't broke, break it and change it. The world would be a hideously boring and flaccid place otherwise.

Language changes too, old words leave and new words join our vocabulary each year. Who uses 'fallociloquence' (a deceitful speech) these days except in reference to the mutterings of News International executives before Parliamentary Committees; or 'schismarch' (a founder of a schism)? Language changes - and this brings me on to vatted/blended malt whisky. As of the 23rd November 2011, whisky that is a blend of two or more single malt whiskies can no longer be called 'vatted whisky' and must be called 'blended malt whisky'. The Scotch Malt Whisky Association argue that 'vatted' is too archaic a word to be understood by the public. Others argue that 'blended malt' and 'blended grain' sound too similar to 'blended scotch whisky'. I have to say in this instance I agree with SWA's decision, if not for the same reasons. I think there should be a catch-all term for blended malt/vatted malt/pure malt, and I think it does the public a disservice to imply that the difference between blended malt/blended grain/blended is too confusing to be understood, as suggesting the word 'vatted' is beyond them also. What I will say is that I spend as much time explaining what a single malt is as I do explaining blends and blended malt. Things change and 'blended malt' will one day be a term as part and parcel of whisky as 'vatted malt' was. Still, it's an excuse for those rebels at Compass Box to release another excellent bottling!

The Last Vatted Malt
53.7% - Bottled by Compass Box
Nose: Smoke with seabreeze and fishing port scents of menthol, iodine and, with time, toffee.
Palate: Soft smoke giving way to golden syrup and medicinal quality.
Finish: Peppery with sweet phenolic smoke and a hint of stewed strawberries, a little short perhaps.
Overall: A great marriage of peat and sherry cask. Those gutsy Caol Ila flavours rampage about followed by the stroke of sherry. Farewell vatted malt whisky.

Friday, 25 November 2011

The Full Monty... The Laddie 10

Nudity is a bizarre concept. On one level it is fragile, vulerable and open. On another it is knobbly, gangly and bloody funny. Nudity in art becomes a representation of the human form, of our animalistic desires and of being laid bare for judgement by God. Going starkers in public is simply hilarious. There is nothing like watching people streak across sporting grounds being chased by clumsy men in fluorescent jackets until the inevitable rugby tackle and pile-on.

I think, particularly in Britain, the embarrassment and self-awareness about nudity makes the juxtaposition of the beauty of it and its comic potential all the more evident. More disturbing perhaps is the insatiable desire of our society to consume near-naked images of 'perfect' bodies on billboards, in magazines and on the TV, yet still possess an innate fear of being seen naked ourselves. I would argue that this is an issue that needs addressing and one I agree with Gok Wan on.

The only place where nudity seems to be commonplace is men's showers. Due to a broken boiler I have had to shower at the gym recently. The gym in question has doors for its showers yet men still shower with the door open and sit around texting stark-bollock-naked afterwards. This is a scenario where I don't quite understand nudity - if there is a door use it. I completely understand if there is no door, but if there is, use it.

Lately I got the chance to try the new ten year old Bruichladdich, the Laddie 10. This Bruichladdich is unpeated and unlike most Bruichladdich, it isn't finished in an array of casks and hasn't had anything 'progessive' done to it. It is essentially a naked Bruichladdich. It is also my favourite Bruichladdich to date. The full monty...

Laddie 10
46% - 10 Years Old - Bottled by Bruichladdich
Nose: At first cheddar, weirdly enough, followed by nuts, melon and lemon. With time; kiwi, heather and white pepper announce themselves in a very eclectic nose.
Palate: Light, creamy and fruity with wheat cereal notes that I get in the Organic bottling.
Finish: Fairly spicy with good length. A solid end to an interesting and well constructed malt.
Overall: It's great to see a Bruichladdich that not only represents the work of the distillery since 2001, but also showcases how fantastic it can be without tassels and adornments. I hope this is the direction the distillery goes down because it offers a very rewarding, tackle-out, future.

Sunday, 20 November 2011

Bad Things Come In T's... Tullibardine 1992

Bad things by all accounts come in threes, or so I am reliably informed. Hitler, Stalin and Mussolini were knocking around at the same time. There's the evil green threesome that is broccoli, courgettes and Brussels sprouts (forgive my childishness); and there were three members of the band Busted. Not that I'm implying that Busted were in any way as bad as the aforementioned dictators - the vegetables, however, definitely are. I contest superstitious sayings such as bad things come in threes and the toast always lands butter side down as conjecture and a willingness to substantiate superstition with coincidence and ignorance of all conflicting evidence. Despite my dislike of such sayings I am as much a victim of their baseless assumptions as anyone else. I don't like the number 13, I will dive towards anything that remotely resembles wood the moment someone screams, 'touch wood' and I have some time for the archaic view in the whisky world that whiskies beginning with the letter T (with the exception of Talisker) tend to be pretty awful. I have tried to steer clear of negative reviews as I don't find them constructive and as a rule I detest pessimism. However, when I sampled a Tullibardine recently, I had to pass some comment, although I will remain open to other bottlings.

Tullibardine 1992
53.8% - 18 Years Old - Cask 15022 - John Black 5 Bottling - Sherry Cask
Nose: A heady nose with fresh orange, vanilla and light red fruits with a very distinct and pungent smell of Bourbon that I would not associate with an aged sherried whisky.
Palate: A creamy sour mash palate that was sickly and a little too bitter, with no overall complexity.
Finish: Caramel, that's it, thankfully short.
Overall: I could have sworn I was drinking Bourbon, this was not what I was expecting from a sherried whisky at all, not a pleasant surprise. I'd have been better off opening a bottle of Four Roses, at least I wouldn't have poured the glass down the sink. Woefully inadequate.

Sunday, 6 November 2011

Bad Reputation: Blended Malts... Compass Box Eleuthera and Wemyss Peat Chimney

Scandalous
Myth’s and fabrications can make or break reputations. Many a celebrity has been thrown into the lion’s pit of paparazzi exposure and tabloid conjecture that has quashed their careers like the Resistance on Alderaan. It only takes a slight turn of phrase to turn an innocent comment into an insult that strikes the very core of human morality and creates a reputation feeding frenzy that keeps the tabloid beast sated for several months. As soon as a reputation is tarnished it becomes very difficult to scrub it clean - no amount of Brasso is going to help Matthew Kelly reclaim his former fame. The other approach of course is to revel in it, as the indomitable Russell Brand does, so that any misbehaviour can be turned into a ladder to the stars.

Reputation is central to the perception of a whisky; it can win a whisky great favour and allow them to charge increasingly high prices off the back of it. Or, conversely, it can lead to a long hard crawl back to recognition and acceptance. Beyond brand awareness reputation also affects the perception of types of whisky. No other type of whisky has received such a panning as Scottish blends and blended malt. Consistently, and I argue - wrongly, blends (and blended malts) are seen as an inferior product to the more expensive and purer single malts. This myth that blends are somehow a cop-out version of the ‘better’ single malts is in urgent need of reversal. Thankfully a small number of blending companies are trying to overturn the wash of apathy and demonstrate to the world that blended can be better.

When talking about modern blends and blended malts, one company always jumps to mind. That company is of course Compass Box, who I jump at any chance to review. Compass Box are beginning an enlightenment in the world of blended whisky. Their Spice Tree and Hedonism bottlings in particular are testament to the work they have done to show blended can mean better. Alongside Compass Box there is another company doing superb work. This company is that of Wemyss Malts. Their philosophy is that the world’s best wines are all blends so why shouldn’t this apply to whisky? It wasn’t until the other weekend when I finally got to try one of the Wemyss range (and I was very impressed, as you will see) that I have to agree with them. Why shouldn’t a whisky be better than the sum of its parts? The same weekend my dad and I visited a small beer and whisky shop in Ludlow (Shropshire) and, to our luck, we found a Compass Box bottling that as far as I am aware is no longer available. After purchasing a bottle and a fair few beers, we went home to try this elusive blended malt, as well as the Wemyss Malt my dad had purchased previously.

Compass Box Eleuthera
46% - Scotch Blended Malt
Nose: At first peppery reminding me instantly of Talisker. This leads to a soft blend of wood smoke and peat complimented with gooseberry and brine, with time pleasant banana notes introduce themselves subtlety.
Palate: There is a grainy texture I associate with the Glenfiddich Snow Phoenix with honey and red fruits (notably strawberry and raspberry) served on a smoky palette.
Finish: Peaty with salt and fennel concluding with a shot of coffee.
Overall: Why is this whisky no longer made? This for me was an instant go to whisky which unfortunately it can never be. There is peat present without being excessive, pepper without being hot, and green fruit balanced with red. Just excellent.

Wemyss Peat Chimney
40% - 8 Years Old – Scotch Blended Malt
Nose: A fantastic combination of iodine peat smoke and Christmas pudding, or maritime sherry if I can coin the term. This combination that often doesn’t work melds excellently in this blended malt.
Palate: Peat and pepper hold the ground here; the palate is beautifully light and is completely un-cloying.
Finish: A burst of spice topped with clean peat, fresh and to the point.
Overall: Exceptionally pleasant, clear but not overpowering peat, this dram has a bite but doesn’t shake. I have to try Wemyss’ Spice King and Hive soon!

Thursday, 27 October 2011

Lost Distilleries Chapter 1 Part 2: Brora 32 Year Old

There are two names that dominate discussion on old and rare whisky: Port Ellen and Brora. The former I will discuss tomorrow but it is Brora I want to address today. What is special about both of these whiskies is that they were closed not because they were producing bad whisky but because of the economic environment of the time. So what we are left with are two excellent whiskies, aged to perfection and with no more to ever be produced. This is a recipe for expensive whisky, and usually I am quite critical of expensive whisky. I believe for a whisky to push the £150 barrier, it has to be able to justify itself. However with Port Ellen and Brora I can't even pretend they are unnecessarily expensive, they are top notch whisky, they aren't lavishly packaged and they are old (i.e. Warehouse costs). Worst of all, with depleting stocks they are soon to be extinct and this is very sad indeed.

Brora, for me, is a connoisseur's whisky. It has layers of flavour, some may not be to everyone's taste, but for anyone who wants to sit and consider a dram - this is the one. When I found out I was going to get to try this intricate malt again I was of course excited. In fact that's an understatement, I was whipping myself into an ecstatic frenzy of excitement, frothing at the mouth like a cappuccino machine, hallucinating glencairn glasses on the Tube, etc. Of course through all this anticipation, I thought it was going to taste similar to last year's release... I was very wrong. Last year's release had a tobacco and chlorine dominated nose, a smoky and peppery palate and a sherry forward finish (see here for this review). This Brora was very different, and I have to say... better. I have a preference for coastal malts and as soon as I tried this year's release I was immediately taken back to sampling Clynelish and Springbanks - whiskies I rate very highly. This Brora is a dram for drinking, not analysing to death. It is what a whisky should be, and I hate that it's collectable.

Brora 32 Year Old
54.7% - 1,404 Individually Numbered Bottles
Nose: Coastal, reminds me of Clynelish and Springbank. Grape arrives first providing vitality and vibrancy. Next, smooth waves of oak smoke and a sprinkling of salt giving a mineral backdrop to this whisky. Finally sherbet lemon gives a sweeter character that mellows the nose into a cohesive whole.
Palate: I got a slight medicinal character (maritime?). The saltiness returns giving it a drying mouthfeel. The grape notes are still present but become more spicy and dense.
Finish: Infinitely long, mint holds the fort from here with smoke and a touch of pepper. Incredible.
Overall: Where last year's release may have had more complexity, this year's is carefully woven and satisfying, with the peat working more elegantly with the spirit. The aromas and flavours make me want to drink it and enjoy it. For me this is the mark of the best whiskies. Deserved of its high regard.

Monday, 24 October 2011

Diageo Special Releases 2011 - Knockando 1985

Of all the Diageo Special Releases this year, only one failed to impress me as much as I had hoped. This was the Knockando 25 Year Old, this whisky was one of three special releases from existing rather than closed distilleries. The other two hit the mark like Robin Hood at an archery contest. This is not to say this whisky was bad in any way, but for a 25 year old sherry cask whisky I was a little underwhelmed, especially with such great sherried whiskies emerging from Scotland currently. Furthermore, with a recommended retail price of £135, I didn't think it offered the depth and complexity required for a whisky in that price bracket. Anyway, with no further ado...

Knockando 1985
43% - 25 Years Old - First Fill Sherry Casks
Nose: Lots of toffee to begin with Christmas cake and raisin notes following, beneath lies a dark anise character. Clear Oloroso presence.
Palate: Demerara sugar, stewed red fruits (predominately strawberry), smoother with water with slight chocolate notes.
Finish: Too short for my liking, espresso and a touch of salt, giving the finish a drying character.
Overall: The Knockando was not a bad whisky, but didn't offer what I would expect for its age or price. There was an intensity lacking that maybe could have been added with being bottled at cask strength.

Monday, 17 October 2011

To The Seaside! Clynelish 14 Year Old

I have found that I have a penchant for coastal whiskies. From the salty Campbeltown malts to the briny Pulteney, I am a fan. I find it intriguing that a whisky can (arguably) take on the character of the environment in which it is aged. I don't know how much this is true or how much is romantic terroir-driven musings, but coastal whiskies do have a saltiness to them. Recently I was fortunate enough to try one that I cannot remember having tried before. This whisky is the Clynelish from the legendary distilling town of Brora.

Clynelish 14 Years Old
46% - Distillery Bottled
Nose: Briny - reminiscent of fresh sea air, underneath there is honeyed vinigarette, grape and hovering smoke with a biscuity quality that adds substance to a full nose.
Palate: Sea salt and digestives (ship's biscuits?) with underlying fruit notes.
Finish: Grapes and stewed apples with a crisp acidity.
Overall: Fresh, clean and enticing. The Clynelish 14 reminds me of Springbank, if a little more savoury. Great standard release whisky for coastal fans.

Sunday, 16 October 2011

An Exception To The Rule... BenRiach Arumaticus Fumosus

The world is full of exceptions to rules. The English language is positively riddled with them, "'I' before 'E' except after 'C'" being a flawed classic. Laws, especially when applied to those who make them, are diseased with exceptions and I am sure any game ever invented has a few thrown in for good measure (except perhaps connect four). Although exceptions make the world a more interesting and intriguing place they are also a major annoyance. For example: explaining a relatively simple concept to someone and, just when you think they've finally understood it, having to say "however there is an exception...". The whisky world is rife with exceptions. Quite often through my work I have to teach people the ins and outs of whisky. To keep it simple I work around the whisky regions of Scotland but of course every region has its exceptions. Islay has Bunnahabhain, the Islands have Arran, and Speyside has BenRiach. I usually skip over exceptions to keep things simple however it also means I forget about them. So recently I thought I'd pay more attention to these anomalies. The distillery I chose to explore was BenRiach, the peated Speyside. It was a distillery that I was dubious of, partly because I hadn't heard much about it but also because I had my doubts that Speyside could match the peaty passion of Islay - having previously tried the Benromach Peat Smoke I should have known better...

BenRiach Arumaticus Fumosus
46% - 12 Year Old - Dark Rum Finish
Nose: This whisky is meaty; smoke infusing itself in a hog roast lathered with sweet barbecue sauce.
Palate: Reminds me of punch, a rum kick from the cask finish with barley sweet flavours and some peat to boot.
Finish: Heathery and floral at first but then spicy and smoky with coffee following.
Overall: Arumaticus Fumosus is apparently Latin for 'smoky rum', for all that rum that was drunk in Roman times. That aside, I was impressed with this dram. It had layers of flavour that complimented its peating. BenRiach do a lot of different finishes so I couldn't say if this was comparatively under par or high quality, but it has intrigued me to find out. It is an exception to the rule I can live with, and I am curious to try more!

Sunday, 9 October 2011

Welcome to Speyside - Strathisla 12 & 30 Year Olds

The location of my favourite
distillery tour (to date).
Of the limited number of distillery tours I have had the pleasure of joining, one has stood out as a favourite. Not because it was the most in-depth or the most wide-ranging but because it was the most charming. This tour was at the much-underated Speyside distillery of Strathisla, whose product principally goes into Chivas Regal and the excellent Royal Salute. The distillery is located to the east of Speyside and claims to be one of the oldest Highland Distilleries. It is certainly picturesque enough with cobbled pathways cherry trees, pogoda roofs and a waterwheel, but it was the tour that made it. The chap leading us around had worked in various roles at the distillery and had taken on the tour in retirement. He gave us a brilliant impression of what a working distillery was really like. Furthermore he let us try the malt that would open my eyes to the potential of Speyside. Strathisla is ever so lightly peated and it was this trace of smoke that appealed to my then peat-obsessed taste buds. So here's to Strathisla!

Strathisla 12 Year Old
43% - Distillery Bottled
Nose: Raisins, stewed pears, malt and fresh-cut grass play with a subtle smokiness, like burning hay with a phenolic chlorine edge giving another dimension to this dram.
Palate: Viscous malty aniseed with a touch of spicy smoke.
Finish: Full and wonderful; licquorish and burnt raisins with medium length.
Overall: A dram I link to a place and time so I am a little biased, but for me it is a great whisky to sit and relax with. Happy days!

Strathisla 30 Year Old
43% - Bottle by Gordon & MacPhail
Nose: Raisins and drifting wood smoke leading to pear and rum. Beyond this rich fruity nose there is chocolate and coffee cake with echoes of cumin and anise.
Palate: Sweet oily pear, smoke, malt and mocha in a lip-smackingly delicious combination.
Finish: Raisiny wood notes with a burst of pear drops with superb duration.
Overall: Fantastic: Complex, long, balanced, where can I buy more of this old bastard?

Thursday, 6 October 2011

Vertical Limit - Bruichladdich X4+3 and Octomore Release 4

Mankind has an inbuilt urge built into our psyche to test and push the limits. From a mischievous four year old prodding the house cat repeatedly with a screwdriver to NASA putting a man on the moon. Humans have an inclination to see how far they can go. Events such as the Olympics demonstrate how far the body can be pushed in activities extraneous to everyday living. Games like Jenga emphasise how far we can push the laws of physics; and TV shows like Geordie Shore push the boundaries of bad taste. So why do we have this inherent desire to go where no man or woman has gone before? My theory is that we are naturally competitive and territorial so claiming any ground, no matter how abstract, is seen as a primal gain.

This of course leads me to whisky. The whisky world is rife with pushing the limits of what is possible. One distillery in particular is renowned for doing this, and that is those progressive Hebridean distillers over at Bruichladdich. Jim McEwan and friends are not afraid to attempt things that few others would dare to do, and of all of their experiments, two jump to mind that highlight how far they are prepared to go to lay new ground. These two whiskies are the Bruichladdich X4+3 and the ferocious Octomore Release 4.

The X4+3 is a not twice, not thrice, but quadruple distilled whisky. With each distillation the ABV of the new make spirit rises and with each distillation the risk of an explosion also increases. What is left is new make that clocks in an ABV in the early nineties. The X4+3 is the first release that can legally be called whisky and is an intense dram. The hope is that in seventy plus years it will still be strong enough to be labelled whisky even after the angels have had their greedy share.

Bruichladdich X4+3
63.5% - 3 Years Old
Nose: Candy sticks and sugar syrup arrive first with a jammy scent swiftly following. Then comes the spirit with a slight methynated spirityness and notes of sweet potato.
Palate: Very spirit forward like poteen with a nuttiness that becomes more jammy with water.
Finish: Very hot, spirity and clean with a longer finish than I expected.
Overall: An accomplishment in what can be done with a pot still but not something I would quaff regularly. It did have a warming quality that wasn't unpleasant.

The Octomore Release 4 builds on the already impressive work of its predecessors and can claim to be the peatiest whisky to date with a scorching ppm of a meagre 167 (compare this to ppm's in the mid-40s from other highly peated malts). This whisky is pure ash and frightfully huge.

Octomore Release 4
62.5% - 5 Years Old - ppm 167 - Distilled and Bottled by Bruichladdich
Nose: Muddy wellies sinking into a peat bog of eternal stench (forgive the labyrinth reference) that increases the longer it sits in the glass. Under this smoky shell there is a brine and vanilla that added a depth I foolishly doubted would be there.
Palate: Well my notes simply say: "F***ing smoky!" More eloquently put there is every layer of smoke imaginable: peat, ash, soot, oak smoke, more peat. An orchestra of peat smoke. A peat troll lighting a cigar in a burning building. Smoky.
Finish: Powerful, a touch of vanilla before steam erupts from your ears. Massive, like the Ardbeg Alligator, taints your palate and sinuses for some time to come!
Overall: This is a whisky like no other, it is a record-breaker that rises out of the glass, forces its way up your nose and roars down your throat. Huge, peat-ridden and powerful.

Monday, 3 October 2011

Glendronach Single Casks - 1990

As you may have gathered if you have perused my blog before, I am a huge fan of the Glendronach Single Casks. My first encounter was with last year's 1989 offering, then recently I reviewed last year's and this year's 1994 bottlings. Unfortunately this only heightened my desire to try them all so when I was offered a glass of the 1990 I couldn't refuse.

Glendronach 1990
50.1% - 20 Years Old - PX Puncheon - Bottled 2011
Nose: Lots of chocolate with candied orange peel and nutmeg leading to roasted nuts and raisins. With water milk chocolate ganache becomes dominant and makes this dram simply mouth-watering.
Palate: A soft mouth-feel with those PX raisins and sultanas merging with cocoa and spice for a Christmas feast.
Finish: Hazelnuts floating on a glass of Sherry, rich and rewarding.
Overall: For me this was a softer expression of the whisky than this years 1994. It had a nutty lightness about it that added another dimension to those classic chocolate orange notes. With water this became even more silky and I reckon could well match many a chocolate dessert.

Thursday, 29 September 2011

Rediscovering The Classics: Oban 14 Year Old

I had a minor revelation the other day. In my eternal quest to sample as many different whiskies that I possibly can I have forgotten that some of the all time classics have their own charm that is often blown out of proportion by expensive marketing campaigns. The thing about these whiskies is that some of them are really rather good, it's just a case of working out which ones.

One such whisky is the West coast malt that is Oban. This is a whisky I had completely forgotten about but thanks to a piece of trivia imparted to me, I rediscovered it. So what is this little fact you ask me? The other week I was speaking to a friend of the graphic designer who created Oban's packaging, when he pointed out his friend had drawn a man walking a dog on top of the cliff in the background on the cardboard tube packaging. Yet when you look at the bottle label the dog is no where to be seen and the man is peering over the cliff trying to find him. It was this canine tragedy that opened my eyes to this coastal whisky again and I had to have some.

Oban 14 Year Old
43%
Nose: Brine defines this seaside malt with cedar and mascerated fermenting berries following.
Palate: Light oily mouthfeel with a clean sweetness washing over the tongue.
Finish: That saline briny quality again with a vague fruitiness from a little sherry presence perhaps?
Overall: This dram has a light mouth coating aspect and is certainly an accessible whisky. It didn't have the complexity I really desired and didn't possess any panache. A stand-up whisky but nothing to get excited about.

Saturday, 24 September 2011

Lesson Learnt: Nikka All Malt

A quick lesson today: Don't judge a book by its cover. For months I have avoided Nikka's All Malt with a vengeance. The combination of plain packaging, low price and uninspiring name repulsed me, and then of course I tried it. No surprise here; it was actually very good. I'm still getting to grips with how it is made but as far as I understand it, it is made entirely of blended malt whisky from Yoichi and Miyagikyo except some has been distilled in a Coffey still (traditionally used for grain whisky) rather than the classic pot still. However it is made it is highly enjoyable and is a point-and-case example of why a whisky shouldn't be judged by it name, price or packaging.

All Malt
40% - 100% malt/blend - Bottled by Nikka
Nose: Mounds of toffee and fudge on top of a cinnamon bun with soft spices dusting this sugary mess.
Palate: Vanilla and mocha are imminently available but strawberry ice lolly commands the stage with highlights of fromage frais.
Finish: Espresso closes this full-flavoured dram with Demerara sugar lingering on.
Overall: I was very surprised by how delicious this whisky was. Lots of clearly defined flavours packed into one whisky. A bargain!